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Trimming Samples You can check if there is a delay by playing the sample a few octaves down as this will exaggerate any delay that may exist. This xkai produce the classic auto panner effect with the sound gradually moving between left and right at a rate set by LFO 2.

As you decrease this aai 99, you will remove the upper harmonics resulting in a softer tone. Using the SXL live, you may have several multi-timbral setups in memory at any time memory allowing, of course!

The cursor always stays on the last currently selected field in any screen.


Similarly, with fretless bass, the portamento pedal may be used to slide notes whenever you akwi. However, there are occasions when you want the LFO to be free running in the background. Now turn on the SXL. Its function is described above. This field is not accessible and shows you how many other programs are in memory at the time. More than one part may be sent to the same effects channel.


Akai S3000XL

Bykneebone77 Fri Dec 19, 8: The effect of single triggering is that if you akal one note and play another, the pitch changes to the new note but the attack of the new note is not re-triggered. Furthermore, each drum could be routed to a manuall effect i. If the velocity ranges overlapped i. Using the SXL live, you may have several multi-timbral setups in memory at any time memory allowing, of course!

If set to HIGH, then notes from manyal programs with lower priority will be stolen first before they are stolen from this program. Any of the ‘! The same could be done with overblown saxes or flutes. Please note that this parameter has no effect on single programs, it is only when two or more programs have the same program number that it is effective. Generally, try to set the TIME control so that the sound has its own distinctive ambient space around it.

When naming, you will see this prompt: The reason we have programs is because raw samples, however much you may have trimmed, looped, crossfaded, stretched, etc. However, to match SXL programs with the patch numbers on your synthesiser, you may want to renumber the programs, so that selecting a brass sound on the SXL will call up a similar or complementary patch on a remote synthesiser module.

Setting Lfo1 Modulation Depth Use maybe a footpedal to pan the sound around.

If the whole program is assigned to an individual output, that output will be shown here – i. Use this, perhaps, instead of pressure. This is done in the SCSI page. Lfo1 LFO is assigned to be random but the speed of modulation will change randomly. You may find the sound of a rotary speaker is enhanced using just a hint of distortion in the distortion section to re-create the overdrive effect commonly found on rock organ sounds.


The SXL has difficulty recording at 48kHz i. Further Editing Functions This parameter selects the program’s MIDI channel!

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Akai SXL Manuals

This will load any operating system that may be on the disk. Search the history of over billion web pages on the Internet. This will prevent accidental erasure, formatting and loss of data. Multi Mode – Combining Several Programs With 2 low frequency oscillators LFOsADSR and multi-stage envelope generators, resonant filters, panning and more, the SXL can radically transform any sound offering the creative musician and programmer endless possibilities.

Other disk operations, like saving and formatting disks, are performed in the DISK mode, not from s000xl page. You’ll probably discover quickly what method works best for you in each situation. Feel free to route anything you like to this field.

Initialising A Part Here you may set the overall output level for the program. Page It is assumed you have a basic amai knowledge of the SXL by now.

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