Students taught for ragas on flute by Suchismita about the advanced techniques of fingering, playing complex compositions and ragas with examples from. The Indian musical system relies on the notions of RAGA (melody) and TALA Your tanpura needs to be tuned according to the key of the flute you are playing. The bansuri is a deceptively simple bamboo flute. The Indian-style flute uses no keys, tone control being a matter of breath control and careful fingering on the.

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Most of my recordings have been made on my Zoom H2 n handheld recorder, or even minidisc or iPhone. The book is an invaluable resource for anybody interested in Bnasuri Classical Music, regardless of instrument or experience.

Play each line twice and conclude by returning to the first line of the Sthayi. If you start on the 9th beat and begin the next line on the 9th beat – then well done! Thus the notes of the chromatic scale are: It motivates me a lot.

Please continue to share your videos online! Marwa or Puriyaone could use Sa, Ni, or Dha as the first note, depending on their preference. It is also often associated with the separation of a lover. The word “Raga” literally means “what colours the mind” and often in music books you will find all kinds of heavy worded and poetic descriptions, however for the sake of helping you understand what a raga is, I will explain it as simply as I can at first before giving the more complex descriptions.

Do not attempt to cover more than the first couple holes, for if any hole is not entirely closed you will get no sound whatsoever! You will notice in this Raga Bhupali that Ma and Ni are omitted not played at all. A raga is basically a melody produced by playing a set of specific notes and adhering to certain rules. There are thousands of ragas, which are derived from the 72 possible combinations of heptatonic 7-note scales known as melakartas in southern Indiaas well as hundreds of possible combinations of hexatonic 6-note and pentatonic 5-note scales.


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HINDUSTANI MUSIC – INTRODUCTION (Still under construction)

So one improvised melody might make us think of romance, another might make us feel very calm and another might make its listeners feel sad. I have been inspired way more by you than all other sources I have stumbled upon ever. Jog, Bansuei Sarang — Vakra: S – Sa the tonic, 1st note of any scale; played from any pitch! You will see below that the 16 beats are divided into 4 beat sections this is why there are gaps between the beats in the table below and that they all add up to 16 beats.

Now – Musicians usually explain ragas in a completely different way. Hindustani classical music is the North Indian style of music found throughout the Northern Indian subcontinent. What i mean too. Please let me know if you can helpthanks!

Two benefits of this system are that 1 one can play a given melody raga using the same fingerings on any size pitch instrument – the entire melody shifts up or down in key, but the feeling produced is the same; and 2 it allows the notes in Indian Music to be based on “just temperament” as opposed to the “equal temperament” scales employed in Western Music.


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Bansuri Flute: LEARN HINDUSTANI MUSIC – RAGAS – The basics

Occasionally a “jor” follows, which has rhythm, but no composition, and is not accompanied by percussion. I recommend covering only one or two holes at first, or none at all.

The bansui introductory section, called “alap”, lacks rhythm and is entirely improvised.

Those ragas that do not follow the strict ascending or descending order of swaras are called vakra nonlinear ragas. Tilak Kamod, Hameer — Mishra: The bansuri is a transverse side-blown bamboo flute from northern India. I use a 7th hole played with my right pinky fingerwhich enables me to play a half step lower than on a 6-hole flute.

It may take several days before a new player can get a consistent sound, but once you have raag, you have it forever, so fight through the first few days!

In addition to the finger holes, some bansuris have an additional hole that can be played with the area of the leg just bxnsuri the knee. It is important also to know that there are hundreds of ragas – all with different names, some are more common than others. Indian music of all types, in general and classical music, in particular, is based on raga melody and tala rhythmic cycles. Thus, the next note higher in the major scale Bilawal”Shuddh Re” is played with the top two fingers down, and “Shuddh Ga” the natural 3rd is played with only the top hole covered.

Bhimpalasi, Bhairavi, Madhuvanti — 5 notes, with some shudd in ascent but komal in descent: Many ragas share the same scale.