Matei Călinescu. · Rating details · ratings · 12 reviews. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Front Cover. Matei Călinescu. Duke University Press, Modernist Cultures invites essays from various fields of inquiry, including anthropology, art history, cultural studies, ethnography, film studies, history, literature.

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The defenders of classical tradition were thus able to suggest that the attitude of the moderns was biased, that their claim of being superior to the ancients contained an element of dubious and finally disqualifying partisanship.

Stendhal was a “romantic” in his own sense of the word, and this is why, even in Racine et Shakespeare, written before his major works, he could sometimes be blatantly antiromantic, and consistent with his lifelong literary creed that was later termed “realist.

It is this new feeling of modernity, derived from the notion of a dying Christianity, that explains why the romantics were the first to conceive the death of God and to incorporate in their works this essentially modern theme, long before Nietzsche gave it a central place in Zarathustra’s prophetic doctrine.

Omitted from this edition is the “Epilogue,” rendered superfluous by the new final chapter.

FIVE FACES OF MODERNITY Modernism Avant-Garde Decadence Kitsch | Veria Wang –

It is only from such an aesthetic perspective that these concepts reveal their more subtle and puzzling interconnections, which, in all probability, would escape the attention of an intellectual historian with a predominantly philosophical or scientific orientation.

In this essay, modernity’s most striking feature is its tendency toward some sort of immediacy, its attempt to identify with a sensuous present grasped in its very transitoriness and opposed, by its spontaneous nature, to a past hardened in frozen traditions and suggestive of lifeless quiescence: Read more Read less.

Of course, I am fully aware that such a limitation is artificial and facfs the “consciousness of modernity” is not tied down to the use of a specific word or of a set of or, similes, or metaphors that obviously derive from it.

Poe, who…maintained that the great misfortune of his country was the lack of an aristocracy of birth, since, among a people without an aristocracy the cult of the Beautiful could only become corrupt, diminish and disappear — who charged fellow citizens, in their costly and pretentious luxury, with all the symptoms of bad taste characteristic of upstarts — who considered Progress, the great modern idea [italics 64 mine], as the fatuous dream of simpletons…– Poe was an exceptionally solitary mind.


If He exists, He cannot die; if not, how can someone who has never existed die?

Your Friend’s First Name: Built on the Johns Hopkins University Campus. An earlier and shorter version of the chapter on ldquo;Kitsch” has appeared as “The Benevolent Monster: Modernity as a notion would be utterly meaningless in a society that has no use for the temporal-sequential concept of history and organizes its time categories according to a mythical and recurrent model, like the one described by Mircea 1 Eliade in his Myth of the Eternal Return.

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Five Faces of Modernity | Duke University Press

To see what your friends thought of this book, please sign up. How do I set a modetnity intention To set a reading intention, click through to any list item, and look for the panel on the left hand side: The most striking one is that, liberated from the constraints of tradition, the writer should strive to give his contemporaries a pleasure that they seem unprepared to enjoy and perhaps do not even deserve.

By his overt praise of fashion, for instance, does not Stendhal make fun of the neoclassical view that the artist should try to approximate as closely as possible the universal and atemporal model of beauty? But for you perhaps, if as I hope and wish you will live after me, there will follow a better age.

Please try again later. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: Apart from a host of erudite articles, we can say that almost all the relevant facts have been collected and set in perspective in a number of comprehensive studies, from Hubert Gillot ‘s La Querelle des Anciens et des Modernes en France to Hans Robert Jauss’s recent study “Aestetische Normen und geschichtlische 26 Reflexion in der ‘Querelle des Anciens et des Modernes'” ; and, in English, Anne Elizabeth Burlingame’s The Battle of the Books in Its Historical Setting and Richard Foster Jones ‘s Ancients and Moderns: In postmodernism was still a comparatively rare and fuzzy term, used almost exclusively in America, and I felt I could deal with it appropriately in a rather brief section of the chapter The Idea of the Avant-Garde.


Five faces of modernity: modernism, avant-garde, decadence, kitsch, postmodernism

Or are there two fundamental types of beauty, one pagan, the other Christian? In one form or another, most of these authors and their followers blame antiquity — or rather the blind veneration of antiquity — for the prevailing sterility of thought and the general lack of adequate methods in the sciences.

The ancients knew that gods were mortal; they were manifestations of cyclical time and as such would come to life again and die again…. However, the ultimate reason for grouping together modernity, the avant-garde, decadence, and kitsch is aesthetic.

The satirical portrait of the philistine is frequently encountered in German romantic prose — we have only to recall E. Bernard of Chartres used to compare us to puny dwarfs perched on the shoulders of giants. Please log in to set a read status Setting a reading intention helps you organise your reading.

In the questing phase, the consciousness of modernity takes the intellectual and poetic paradox of God’s death for granted, so that, not surprisingly, even theologians dispense with the name of God Paul Tillich prefers to speak of the “fundament of our existence” and include in the curriculum of more advanced divinity schools the new discipline of Death of God Theology, or Theothanatology.

Rada Bogdan rated it it was amazing Aug 11, The concepts are clear and the bibliography extensive so it is really a starter in other directions.

We may even say -insofar as the Middle Ages themselves had recognized the authority of Greek and Roman antiquity in nontheological matters — that the Calunescu was in certain respects less free from medieval traditions than it actually believed. It goes without saying that we accept civilization as it is, with its railroads, steamboats, English scientific research, central heating, factory chimneys and all its technical equipment, 47 which modrnity been considered impervious to the picturesque.