Gérard Grisey – Prologue – concert (May 5, ) score. No events are used, all the variations are gradual and to be interpreted. 8 Gerard Grisey: Périodes-for seven instruments [score],Ricordi , . begun with a solo viola, of course I immediately thought to add a sort of prologue to the. Get this from a library! Prologue: pour alto seul: []. [Gérard Grisey].

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The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Sinfonie Concertanti for two flutes and orchestra.

Prologue : pour alto seul : [] (Musical score, ) []

Partielsfor eighteen musicians 4. Add a review and share your thoughts with other readers. Would you also like to submit a review for this item? The solo viola has us cast our minds back to the Prologueits ruminations interrupted by the prolofue and commented on by four French horns that seem to jeer at its gestures.

Though useful as methods of working, such speculations still fall far short of sound as it is perceived. Some of the writings were translated to English by Joshua Fineberg, so always when possible, we use the English versions. This relatively brief final movement is a summation and destruction of what has gone before, the beauty of the upper harmonic resonances becoming subsumed in a kind of rampant iconoclasm of trampling rhetorical horns, sliding strings and pedal tones that shift and descend with irresponsible abandon.


This idea is supported by the composers involved with spectralism. The name field is required. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Then I finally decided to compose a complete cycle, starting with a piece for a solo instrument and ending with a large orchestra.

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How acute the senses that would be able to perceive them! WorldCat is the world’s largest library catalog, helping you find library materials online.

Prologue : pour alto seul : [1976]

Enter the email address you signed up with and we’ll email you a reset link. The English composer Jonathan Harvey b. Please select Ok if you would like to proceed with this request griaey. Barros 2 binomials Jean-Claude Rissetand also stochastic procedures: I firmly believe that it will bring us closer to the illusory stuff of our dreams … Tone-color melodies!

Subjects – More like this Similar Items. This approach to composition was later called spectralism by the composer and philosopher Hugues Dufourt b. Espace Acoustiques both inhabits and eschews the avant-garde of its period, still sounding fresh and relevant from its origins in the grsey. Fineberg griswy mentions that a shared characteristic among the spectralists is the consideration of music as sound, the practice of composition as the sculpture of sound in time 3. Remember me on this computer.


That has the appearance of a futuristic fantasy and is probably just that. Log In Sign Up. Skip to main content. Similar Items Related Subjects: The E-mail message field is required. Advanced Search Find a Library.

Transitoiresfor large orchestra 6. The point of transition between Modulations and Transitoires could almost have come from something by Olivier Messiaen, but Transitoires opens with those distinctive upper harmonic sounds over a sotto voce pedal tone sore create an atmosphere of mystery and expectation from a different galaxy to the older master.

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Your rating has been recorded. One of the most enjoyable. Please enter your name. Write a review Rate this item: Grisey commented the composition of the other pieces of the cycle: Preview this item Preview scorr item.

Help Center Find new research papers in: Home About Help Search. But it is one which, I firmly believe, will be realized.