One of my favorite polyphonic pieces by Tomás Luis de Victoria (da Vittoria)( –), based on the hymn by Bernard Clairveaux. Tomás Luis de Victoria. Jesu, dulcis memoria, hymn for 4 voice (spurious). Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. list of some works attributed erroneously to Victoria. Victoria published a total of 15 collections of music during his life (see section Jesu Dulcis Memoria.

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James Gibb memroia These file s are part of the Werner Icking Music Collection. Letter, 2 pages, Privacy policy About ChoralWiki Disclaimers. Mysteries of the Renaissance. Retrieved from ” http: Suggested dynamics added by editor. This work has been misattributed. See notes for details and correct composer below.


Jesu, dulcis memoria, hymn for 4… | Details | AllMusic

The music contains small memiria of imitation, but remains primarily homophonic. Ave Maria 4vv doubtful Ave verum corpus 5vv doubtful Beata es Virgo Maria 6vv doubtful Beati immaculati 4vv doubtful Benedicam Dominum in omni tempore 4vv doubtful Date ei de fructu 4vv doubtful Domine in virtute tua 8vv doubtful Ego sum panis vivus 4vv doubtful Jesu, dulcis memoria 4vv hymn verse; spurious O doctor optime 4vv doubtful Vidi speciosam 8vv doubtful.

Retrieved from ” http: English and Latin underlay. Casey Rule submitted Motets in other collections. Chormusik zur Advents- und Weihnachtsliturgie.

Romantic Evening Sex All Themes. Javascript is required for this feature. Contents 1 Performances 1. Choral Masterworks, Quiet Prayers.

This page was last edited on 9 Decemberat Streams Videos All Posts. Original text and translations may be found at Jesu dulcis memoria. Recueil des morceaux de musique ancienneVol. Creative Commons Attribution 3.

Jesu, dulcis memoria (Tomás Luis de Victoria) – ChoralWiki

Joseph Napoleon Ney, vol. Nine Centuries of Choral Music. This vulcis notwithstanding, the piece may be appreciated on its own merits. Naxos Javascript not enabled.


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Jesu, dulcis memoria (Victoria, Tomás Luis de)

Whoever composed this little piece certainly understood the proto-Baroque pathos of harmonic language. Motecta festorum totius anni 4, 5, 6, 8vv b. The most salient feature of the setting is the richness of harmonic palette, which uses twenty-six accidental inflections in a mere twenty-three breves of music, including a rare D sharp.