kanna_krishnan wrote: You mentioned There is also a Kali Khadgamala Stotram May I where or how can I obtain it? Maybe you like to. Nothing is essential, nothing is mandatory. Whosoever tells you this has some other motive. Though I am not telling that chanting Khadag mangal or. Khadgamala is not merely a Stotra or a hymn but is a Mala Mantra which invokes Sri . A hymn of similar nature is the khaDgamAlA of bhagavatI dakShiNA kAlI.

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During ApatkAla, japa without nyAsa etc. Of course, unlike the incorrect practice followed by many, he correctly teaches the use of namo.

As mentioned earlier, one akli to be initiated into at least Panchadashi to be able to chant Khadgamala and necessarily have Maha Shambhava Diksha with the Purna Shambhava Padukas to be able to undertake the Shadanvaya Rashmi Krama and other advanced practices. The climax of this evolution is what may known as the state of Moksha.

OM TAT SAT: Devi Khadgamala Stotram

Even Mahashodashi Purna Diksha is not really sufficient to perform this Upasana. It is a very akli invocation. The Mithuna Shuddha Mala addresses all the Rashmis and brings about the evolution that should have normally happened in a year. Without the Moola mantra and the energies of one’s Guru lineage, the aspirant is incapable of handling or channeling the huge amounts of energies generated by chanting mantras like Khadgamala.

Shri Mahakali Khadagmala Stotram & Ma Kali Beej Mantra Kreem Sadhna Vidhi in Hindi

Hence, people who are following the khadgamAla of the sampradayas other than Dakshnimaurti, should not include garimA siddhi in the first AvaraNa. I am not aware of it though. Whatever does not have shAstra pramANa cannot khadgamaa blindly followed merely because the so called “lineage” has handed it down with a diluted essence.


By reciting Shakti Mala, one begins to awaken the Kundalini and begins to lead her through the various Chakras. I looked up the kosha and could not find khadgamaala related reference.

It may be performed only on five particular days, which again have to be known from one’s own Guru.

These Malas represent the Avarana Devatas of Srichakra and hence the Sadhaka should internally worship these Devatas in one’s own Body, in the seven Chakras. Again, each of the fifteen Malas belongs to a particular Prakriti and arises from the fifteen letters of the Khadamala Mantra. The second interpretation again speaks of Rashmis, which are same as the Avarana Devata Rashmis detailed in Khadgamala.

Even the number of letters in each of these Malas is calculated differently based on different readings of the Malas, again due to Sampradaya Bhedas and also depending on whether the Mala is chanted for Kamya or Nishkama purpose. The very basic mistake is to even refer to it as Khadgamala Stotra.

This mAlA has a longer phalashruti which is mostly about protection: I only learnt the khadgamaoa and not the phalashruti owing to laziness, like every other stava I kaali of and hence cannot reproduce the exact verse right away. It is actually wonderful if one is able to chant all the fifteen Malas everyday. It is not a Stotra but a mantra, a Mala mantra. By merely referring to it as Khadgamala, one automatically hints as the Sakama mode.

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Though the kjadgamala exists, the intention behind this practice is not generally known to most. Sword seems to be a correct interpretation as well. This increases the merit obtained by chanting the Moola thousand times. Sanskrit words can have many meanings and khaDga could mean stuti.

He then recites the same in the Shishyas ears and then explains the fifteen variations of the Mala. It is said, “During Diksha, the Guru invokes the Navavarana Devatas into the disciple by reciting the powerful Mala mantra. Also, my master shrI appa once mentioned that there is a small shrine dedicated to bhagavatI bimbAmbikA somewhere near dvArakA mutt and the carving below the idol of bhagavatI reads: Kriya Yogis know how to rapidly achieve the evolution of one khadgamaa year of healthy living in one day.


One is the complicated technique of Shadanvama Shambhavakhya Maha Mithuna Saparya, which can be performed only by Sadhakas who have received the Purnabhishekanantara Maha Shambhava Diksha.

You may please refer to the archive for a related discussion on the use of garimA siddhi in the mAlA by some misguided folks who neither understand the structure of shrIchakra nor the placement of deities therein. It is this mAlA that promises the following:. This matter was discussed here only to throw pointers at the high-end use of Khadgamala and not to encourage people to undertake these Upasana Kramas without the guidance of a Guru.

The deities, who are various forms of energy, begin manifesting in the Sadhaka and without the energy of the Moola mantra, they attain a state of non-synergy and create havoc.

Even in the tradition followed by Sringeri, widely misrepresented by the likes of Tummalapalli Ramalingeshwara Rao etc. There are many articles on Khadgamala. It becomes clear here that like other mantras, even Shakti Mala is given during Diksha by the Guru to the Shishya.

However, in the Dakshinamurti Sampradaya, these three lines are present in the Srichakra and are also worshipped as one of the AvaraNas. The Mala is of five types: